Lamson Library

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Life’s Pleasures : The Ashcan Artists’ Brush With Leisure, 1895-1925

Attribution
James W. Tottis … [et al.] with contributions from Michael E. Crane and Kirsten Olds
Publication Details
Book, Merrell, 2007
Description
Offers a fresh exploration of a major American artistic movement Features works by the Ashcan artists and their circle, including George Bellows (see opposite), William Glackens, Robert Henri, Edward Hopper, Rockwell Kent, George Luks, Guy Pène du Bois, Maurice Prendergast, Everett Shinn and John Sloan, among others Complemented by lively essays on the world of leisure experienced and depicted by the Ashcan school. (automatically summarized from Amazon.com)
Tags
Ashcan school of art · Manners and customs in art · National characteristics, American, in art · Tottis, James W · Detroit Institute of Arts · Frist Center for the Visual Arts (Nashville, Tenn.) · New-York Historical Society
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) N6512.5.E4 L54 2007 AVAILABLE

LOCATION	CALL #	STATUS
(UPPER LEVEL)	N6512.5.E4 L54 2007	AVAILABLE

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Masters Of Italian Baroque Painting

Attribution
edited by the Detroit Institute of Arts ; texts by R. Ward Bissell, Dwight Miller & Andria Derstine
Publication Details
Book, Detroit Institute of Arts, 2005
Description
A major study of seventeenth and eighteenth century Italian art. (automatically summarized from Amazon.com)
Tags
Detroit Institute of Arts. · Catalogs · Painting, Baroque · Italy · Bissell, R. Ward · Miller, Dwight C. 1923- · Derstine, Andria · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) ND616 .B57 2005 AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	ND616 .B57 2005	AVAILABLE

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Masters Of Dutch Painting : Detroit Institute Of Arts

Attribution
George S. Keyes … [et al.]
Publication Details
Book, Detroit Institute of Arts, in association with D Giles Ltd., London, 2004
Tags
Detroit Institute of Arts · Catalogs · Painting, Dutch · 17th century · Painters · Netherlands · Biography · Painting · Michigan · Detroit · Detroit Institute of Arts · Keyes, George S
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) ND646 .D48 2004 AVAILABLE

LOCATION	CALL #	STATUS
(UPPER LEVEL)	ND646 .D48 2004	AVAILABLE

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Gerard Ter Borch

Attribution
Arthur K. Wheelock Jr. ; with contributions by Alison McNeil Kettering, Arie Wallert, Marjorie E. Wieseman
Publication Details
Book, National Gallery of Art, 2004
Links
- TABLE OF CONTENTS
Description
This lovely book?the first major English-language publication on ter Borch?s paintings?presents a selection of some of the most outstanding works from each area of the artist?s career: the remarkable early pictures of the 1630s, the midcareer genre paintings for which he is best known, and the small portraits that brought him prosperity throughout his life. (automatically summarized from Amazon.com)
Tags
Borch, Gerard ter, · 1617-1681 · Exhibitions · Wheelock, Arthur K · Borch, Gerard ter, 1617-1681 · National Gallery of Art (U.S.) · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) ND1329.B63 A4 2004 AVAILABLE

LOCATION	CALL #	STATUS
(UPPER LEVEL)	ND1329.B63 A4 2004	AVAILABLE

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The Photography Of Charles Sheeler : American Modernist

Attribution
Theodore E. Stebbins, Jr., Gilles Mores, Karen E. Hass
Publication Details
Book, 1st American ed, Bulfinch Press, 2002
Description
Considered one of the most significant American painters of the period between the two world wars, and founder of the precisionist school, Charles Sheeler (1883-1965) was also one of the pivotal photographers of the modernist movement in this country. (automatically summarized from Amazon.com)
Tags
Sheeler, Charles, · 1883-1965 · Exhibitions · Photography, Artistic · Sheeler, Charles, 1883-1965 · Stebbins, Theodore E · Mores, Gilles · Haas, Karen E · Museum of Fine Arts, Boston · Metropolitan Museum of Art (New York, N.Y.) · Stadtische Galerie im Stadelschen Kunstinstitut Frankfurt am Main · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) TR647 .S466 2002b AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	TR647 .S466 2002b	AVAILABLE

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Degas And The Dance

Attribution
Jill De Vonyar and Richard Kendall
Publication Details
Book, Harry N. Abrams, in association with the American Federation of Arts, 2002
Description
Among the supreme masterpieces of 19th-century art are Edgar Degas’s dramatic, incisive, and often brilliantly colored pictures of the ballet. With huge crowds expected to throng the exhibition venues at the Detroit Institute of Arts and the Philadelphia Museum of Art , this lavish, richly illustrated volume should fascinate a wide audience of art- and dance-lovers alike (automatically summarized from Amazon.com)
Tags
Degas, Edgar, · 1834-1917 · Exhibitions · Criticism and interpretation · Ballet dancers in art · De Vonyar, Jill · Degas, Edgar, 1834-1917 · Kendall, Richard · Detroit Institute of Arts · Philadelphia Museum of Art
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) N6853.D33 A4 2002 DUE 12-19-09

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	N6853.D33 A4 2002	DUE 12-19-09

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The Medici, Michelangelo, & The Art Of Late Renaissance Florence

Attribution
essays by Christina Acidini Luchinat … [et al.]
Publication Details
Book, Yale University Press, 2002
Description
Successful merchants and Florence’s most prominent patrons of the arts and sciences, the Medici family ruled the city from the fifteenth century until the mid-eighteenth century. This handsome book will be the catalogue for the exhibition “Magnificenza!,” opening in Florence at Palazzo Strozzi on June 6, 2002 that then moves to the Art Institute of Chicago (November 9, 2002 to February 2, 2003) and to the Detroit Institute of Arts (March 16, 2003 to June 8, 2003). (automatically summarized from Amazon.com)
Tags
Medici, House of · Art patronage · Exhibitions · Michelangelo Buonarroti, · 1475-1564 · Influence · Art, Italian · Italy · Florence · Art, Late Renaissance · Acidini Luchinat, Cristina, 1951- · Palazzo Strozzi · Art Institute of Chicago · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) N6921.F7 M43 2002 AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	N6921.F7 M43 2002	AVAILABLE

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Degas To Matisse : Impressionist And Modern Masterworks

Attribution
Publication Details
Book, Merrell in association with the Phillips Collection, 2000
Tags
Tannahill, Robert Hudson · Art collections · Exhibitions · Phillips, Duncan, · 1886-1966 · Detroit Institute of Arts · Phillips Collection · Modernism (Art) · Art, Modern · 19th century · 20th century · Art · Private collections · Michigan · Detroit · Washington (D.C.) · Collectors and collecting · United States · History · Phillips Collection · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) N6494.M64 D44 2000 AVAILABLE

LOCATION	CALL #	STATUS
(UPPER LEVEL)	N6494.M64 D44 2000	AVAILABLE

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Van Gogh Face To Face : The Portraits

Attribution
contributing authors, Roland Dorn … [et al.]
Publication Details
Book, Thames & Hudson, 2000
Description
Just one month before his suicide in 1890 Vincent van Gogh wrote to his sister, “What impassions me most–much, much more than all of the rest of my metier–is the portrait, the modern portrait.” Published to accompany a major touring exhibition, Van Gogh Face to Face brings together for the first time the great portraits from all periods of the painter’s life, augmented by reproductions of many of his most important other paintings. Roland Dorn examines the major works, in particular the revolutionary sequence of portraits of the Roulin family in which van Gogh’s experimentation with color is brought to fruition. (automatically summarized from Amazon.com)
Tags
Gogh, Vincent van, · 1853-1890 · Exhibitions · Gogh, Vincent van, 1853-1890 · Influence · Portrait painting, Dutch · Gogh, Vincent van, 1853-1890 · Dorn, Roland · Detroit Institute of Arts · Museum of Fine Arts, Boston · Philadelphia Museum of Art
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) ND653.G7 A4 2000 AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	ND653.G7 A4 2000	AVAILABLE

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Common Man, Mythic Vision : The Paintings Of Ben Shahn

Attribution
Susan Chevlowe ; with contributions by Diana L. Linden … [et al.]
Publication Details
Book, Princeton University Press, 1998
Description
Ben Shahn (1898-1969) has long been renowned for his Social Realist paintings of Depression-era America. Linden examines the central importance of Shahn’s secular Jewish identity in shaping his artistic responses to social and political issues, immigration, and war in murals created in the New Deal era. She argues that these works represent Shahn’s search for a new symbolic language to express the personal and political upheavals of the post-Holocaust era marked by atomic weapons and the Cold War. The book also includes an illustrated chronology of Shahn’s career, compiled by Howard Greenfeld, author of a major new biography of the artist. (automatically summarized from Amazon.com)
Tags
Shahn, Ben, · 1898-1969 · Exhibitions · Chevlowe, Susan · Linden, Diana L · Shahn, Ben, 1898-1969 · Jewish Museum (New York, N.Y.) · Allentown Art Museum · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) ND237.S465 A4 1998 AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	ND237.S465 A4 1998	AVAILABLE

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Donatello E I Suoi : Scultura Fiorentina Del Primo Rinascimento

Attribution
a cura di Alan Phipps Darr e Giorgio Bonsanti
Publication Details
Book, Founders Society, Detroit Institute of Arts, 1986
Tags
Donatello, · 1386?-1466 · Exhibitions · Influence · Sculpture, Italian · Italy · Florence · Sculpture, Renaissance · Donatello, 1386?-1466 · Darr, Alan Phipps · Bonsanti, Giorgio · Centro mostre di Firenze (Italy) · Founders Society · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) NB621.F6 D66 1986 AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	NB621.F6 D66 1986	AVAILABLE

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Flanders In The Fifteenth Century, Art And Civilization. Catalogue Of The Exhibition, Masterpieces Of Flemish Art : Van Eyck To Bosch, Oct.-Dec. 1960.

Attribution
Organized by the Detroit Institute of Arts and the city of Bruges
Publication Details
Book, 1960
Tags
Art, Flemish · Exhibitions · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) N6965 .D4 1960 AVAILABLE

LOCATION	CALL #	STATUS
(UPPER LEVEL)	N6965 .D4 1960	AVAILABLE

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Treasures From The Detroit Institute Of Arts.

Attribution
[Edited by Paul L. Grigaut]
Publication Details
Book, 1960
Tags
Detroit Institute of Arts · Catalogs · Art · Michigan · Detroit · Detroit Institute of Arts · Grigaut, Paul L
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) N560 .A56 1960 AVAILABLE

LOCATION	CALL #	STATUS
(UPPER LEVEL)	N560 .A56 1960	AVAILABLE

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Images In Ivory : Precious Objects Of The Gothic Age

Attribution
Peter Barnet, editor ; essays by Peter Barnet … [et al.]
Publication Details
Book, Detroit Institute of Arts, 1997
Description
The exhibition catalog is the first survey of Gothic ivories in English. Little (Opera Francigeno et Germania: Gothic Ivory Carving in Germany), Danielle Gaborit-Chopin (Polychrome Decoration of Gothic Ivories), and Paul Williamson (Symbiosis across Scale: Gothic Ivories and Culture in Stone and Wood in the Thirteenth Century). (automatically summarized from Amazon.com)
Tags
Ivories, Gothic · Exhibitions · Barnet, Peter · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) NK5875 .I45 1997 DUE 02-20-10

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	NK5875 .I45 1997	DUE 02-20-10

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The Art Of Thomas Wilmer Dewing : Beauty Reconfigured

Attribution
Susan A. Hobbs with a contribution by Barbara Dayer Gallati
Publication Details
Book, Smithsonian Institution Press, 1996
Tags
Dewing, Thomas Wilmer, · 1851-1938 · Exhibitions · Hobbs, Susan, 1945- · Dewing, Thomas Wilmer, 1851-1938 · Gallati, Barbara Dayer · Brooklyn Museum · National Museum of American Art (U.S.) · Detroit Institute of Arts
Availability
LOCATION CALL # STATUS
OVERSIZE (UPPER) N6537.D4464 A4 1996 AVAILABLE

LOCATION	CALL #	STATUS
OVERSIZE (UPPER)	N6537.D4464 A4 1996	AVAILABLE

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