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Grass Roots : African Origins Of An American Art

Attribution
Dale Rosengarten, Theodore Rosengarten, Enid Schildkrout ; with contributions by Judith A. Carney … [et al.]Publication Details
BookMuseum for African Art2008Description
Through the prism of America’s most enduring African-inspired art form, the Lowcountry basket, Grass Roots guides readers across 300 years of American and African history. In scholarly essays and beautiful photographs, Grass Roots follows the coiled basket along its transformation on two continents from a simple farm tool once used for processing grain to a work of art and a central symbol of African and African American identity. Featuring images of the stunning work of contemporary basket makers from South Carolina to South Africa, as well as historic photographs that document the artistic heritage of the southern United States, Grass Roots appears at a moment when public recognition of the Gullah/Geechee heritage is encouraging a reexamination of Africa’s contribution to American civilization. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NK3649.55.U55 R67 2008 DUE 02-01-10
Art In Crisis : W.E.B. Du Bois And The Struggle For African American Identity And Memory

Attribution
Amy Helene KirschkePublication Details
BookIndiana University Press2007Links
Description
Du Bois and the Art of The Crisis Magazine is an exploration of how W. [U]ses Crisis art skillfully to show how Du Bois used the ugly and the beautiful to empower African Americans. “Art in Crisis would be an enlightening secondary text for undergraduate or graduate courses in visual communication, the dissident press, and journalism history.” (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6538.N5 K57 2007 AVAILABLE
How To See A Work Of Art In Total Darkness

Attribution
Darby EnglishPublication Details
BookMIT Press2007Links
Description
Through close examinations of Walker’s controversial silhouettes’ insubordinate reply to pictorial tradition, Wilson’s and Julien’s distinct approaches to institutional critique, Ligon’s text paintings’ struggle with modernisms, and Pope.L’s vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work’s historical, cultural, and aesthetic specificity. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6538.N5 E54 2007 AVAILABLE
Syncopated Rhythms : 20th-century African American Art From The George And Joyce Wein Collection

Attribution
exhibition and catalogue by Patricia Hills and Melissa Renn ; foreword by Ed BradleyPublication Details
BookBoston University Art Gallery2005Description
Syncopated Rhythms showcases an outstanding collection assembled by jazz impresario George Wein and his wife Joyce that represents an excellent survey of the accomplishments of African American artists of the last century. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6538.N5 H57 2005 AVAILABLE
Steel Drivin’ Man : John Henry, The Untold Story Of An American Legend

Attribution
Scott Reynolds NelsonPublication Details
BookOxford University Press2006Description
The ballad “John Henry” is the most recorded folk song in American history and John Henry–the mighty railroad man who could blast through rock faster than a steam drill–is a towering figure in our culture. We see how the American Communist Party appropriated the image of John Henry as the idealized American worker, and even how John Henry became the precursor of such comic book super heroes as Superman or Captain America. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (LOWER LEVEL) E185.97.H455 N45 2006 AVAILABLE
Colored Pictures : Race And Visual Representation

Attribution
Michael D. Harris ; foreword by Moyo OkedijiPublication Details
BookUniversity of North Carolina Press2003Links
Description
In this book, artist and art historian Michael Harris investigates the role of visual representation in the construction of black identities, both real and imagined, in the United States. Motley Jr., in which African Americans are depicted with dignity, to contemporary works by Kara Walker and Michael Ray Charles, in which derogatory images are recycled to controversial effect. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N8232 .H37 2003 AVAILABLE
Black Art : A Cultural History

Attribution
Richard J. PowellPublication Details
Book2nd edThames & Hudson2002Description
From musings on the “the souls of black folk” in early twentieth-century painting, sculpture, and photography to questions of racial and cultural identities in performance, media, and computer-assisted arts in the 1990s, the book draws on the works of hundreds of artists including Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Spike Lee, Archibald Motley, Jr., Faith Ringgold, and Gerard Sekoto. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6538.N5 P64 2002 AVAILABLE
A Century Of African American Art : The Paul R. Jones Collection

Attribution
edited by Amalia K. AmakiPublication Details
BookUniversity Museum, University of Delaware2004Links
Description
He [has] sought out very good examples of excellent artists who have played prominent roles in American art.”?Lynda Roscoe Hartigan, Chief Curator, Smithsonian American Art Museum The Paul R. Jones Collection is one of the oldest, largest, and most comprehensive holdings of African American art in the world. Reflecting the diversity of the collection itself, the contributors come from wide-ranging fields including American art, African American art, African art, art conservation, color theory, photography, and sociology. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6538.N5 C45 2004 AVAILABLE
Wake Up Our Souls : A Celebration Of Black American Artists

Attribution
Tonya BoldenPublication Details
BookH.N. Abrams2004Description
Accompanying the much-publicized traveling exhibition, African American Masters, this book highlights influential and important African American 20th-century artists, from those of the early part of the century who were actively discouraged from pursuing their talents, to important participants in the Harlem Renaissance to modern and contemporary artists. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS CHILD LIT (LOWER) 704.03 B687w AVAILABLE
Something All Our Own : The Grant Hill Collection Of African American Art

Attribution
Grant Hill ; edited by Alvia J. WardlawPublication Details
BookDuke University Press2004Links
Description
Since 1990, Grant Hill has thrilled sports fans with his artistry on the basketball court, first as an All-American player at Duke University and then as a six-time NBA All-Star for the Detroit Pistons and the Orlando Magic. During these years, Hill has amassed a collection of art by African Americans that he now shares with the public through this book, which accompanies a traveling exhibition. It also features articles about Bearden and Catlett by the scholars Elizabeth Alexander and Beverly Guy-Sheftall and reflections about Hill by the historian John Hope Franklin, Duke?s basketball coach Mike Krzyzewski, and the sportswriter William C. Hill and his father, the NFL great Calvin Hill, contribute a dialogue that explores their motivations for collecting art. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS OVERSIZE (UPPER) N6538.N5 H55 2004 AVAILABLE
African American Visual Artists : An Annotated Bibliography Of Educational Resource Materials

Attribution
Daniel J. FryePublication Details
BookScarecrow Press2001Description
A guide to resources for use with K-12 students, this selective volume lists substantial, easily accessible resources on African American visual artists. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS REFERENCE (MAIN) N6538.N5 F79 2001 AVAILABLE
African American Masters : Highlights From The Smithsonian American Art Museum

Attribution
Gwen EverettPublication Details
BookH.N. Abrams2003Description
Accompanying the much-publicized exhibition of the same name that will be traveling throughout the nation over the next two years, this selection presents works from the renowned collections of the Smithsonian American Art Museum, the nation’s greatest repository of African American art. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6538.N5 E84 2003 AVAILABLE
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