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David Lynch’s Inland Empire

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Teaching Literary Theory Using Film Adaptations

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Shakespeare, Film Studies, And The Visual Cultures Of Modernity

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The Literature/film Reader : Issues Of Adaptation

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Literature Through Film : Realism, Magic, And The Art Of Adaptation

  • Literature Through Film : Realism, Magic, And The Art Of Adaptation

  • Attribution

    Robert Stam

  • Publication Details

    Book, Blackwell Pub, 2004

  • Description

    Provides a lively, rigorous, and clearly written account of key moments in the history of the novel from Don Quixote and Robinson Crusoe up to Lolita and One Hundred Years of Solitude Includes diversity of topics and titles, such as Fielding, Nabokov, and Cervantes in adaptations by Welles, Kubrick, and the French New Wave Emphasizes both the literary texts themselves and their varied transtextual film adaptations Examines numerous literary trends ? (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     (UPPER LEVEL)  PN1997.85 .S76 2005  AVAILABLE

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Tales Of Seduction : The Figure Of Don Juan In Spanish Culture

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Film And Literature : A Comparative Approach To Adaptation

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Now A Major Motion Picture : Film Adaptations Of Literature And Drama

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Film Adaptation And Its Discontents : From Gone With The Wind To The Passion Of The Christ

  • Film Adaptation And Its Discontents : From Gone With The Wind To The Passion Of The Christ

  • Attribution

    Thomas Leitch

  • Publication Details

    Book, Johns Hopkins University Press, 2007

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  • Description

    Most books on film adaptation — the relation between films and their literary sources — focus on a series of close one-to-one comparisons between specific films and canonical novels. Beginning with an examination of why adaptation study has so often supported the institution of literature rather than fostering the practice of literacy, Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     (UPPER LEVEL)  PN1997.85 .L35 2007  AVAILABLE

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The Cambridge Companion To Literature On Screen

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Nineteenth-century American Fiction On Screen

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Studying Shakespeare On Film

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Britain Colonized : Hollywood’s Appropriation Of British Literature

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Thomas Hardy On Screen

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A Concise Companion To Shakespeare On Screen

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