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The Literature/film Reader : Issues Of Adaptation
Prisons, Race, And Masculinity In Twentieth-century U.S. Literature And Film

Attribution
Peter CasterPublication Details
BookOhio State University Press2008Links
Description
In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS228.I66 C37 2008 AVAILABLE
Literature Through Film : Realism, Magic, And The Art Of Adaptation

Attribution
Robert StamPublication Details
BookBlackwell Pub2004Description
Provides a lively, rigorous, and clearly written account of key moments in the history of the novel from Don Quixote and Robinson Crusoe up to Lolita and One Hundred Years of Solitude Includes diversity of topics and titles, such as Fielding, Nabokov, and Cervantes in adaptations by Welles, Kubrick, and the French New Wave Emphasizes both the literary texts themselves and their varied transtextual film adaptations Examines numerous literary trends ? (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1997.85 .S76 2005 AVAILABLE
American Drama In The Age Of Film

Attribution
Zander BrietzkePublication Details
BookThe University of Alabama Press2007Links
Description
He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS350 .B75 2007 AVAILABLE
Great Films And How To Teach Them
Dickens And The Dream Of Cinema

Attribution
Grahame SmithPublication Details
BookManchester University Press2003Description
Taking his cue from Walter Benjamin’s concept of each epoch dreaming the epoch that is to follow, Grahame Smith argues that Dickens’ novels can be regarded as proto-filmic in the detail of their language as well as their larger formal structures. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR4588 .S58 2003 AVAILABLE
The Films Of Harold Pinter

Attribution
edited by Steven H. GalePublication Details
BookState University of New York Press2001Description
Examines the screenplays of the master British dramatist and screenwriter Harold Pinter. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR6066.I53 Z6454 2001 AVAILABLE
The American Poet At The Movies : A Critical History

Attribution
Laurence GoldsteinPublication Details
BookUniversity of Michigan Press1994Description
The American Poet at the Movies: A Critical History presents a series of case studies that shows how poets perceived the new technology of cinema as a rival threatening to their prestige, but also as a sister art deserving of encouragement. As cinema and television continue to wield extraordinary influence over the lives of all Americans, the efforts of poets to understand the visual culture will come to be appreciated as central to the task of modern and postmodern literature. - Philip French, coeditor of the Faber Book of Movie Verse “In this work, [Goldstein] provides a new way of looking at American poets, both familiar and neglected. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS310.M65 G64 1994 AVAILABLE
Filmmaking By The Book : Italian Cinema And Literary Adaptation

Attribution
Millicent MarcusPublication Details
BookJohns Hopkins University Press1993Description
In Filmmaking by the Book, Millicent Marcus considers the adaptive process as the sum total of a series of encounters: the institutional encounter between literary and film cultures, the semiotic encounter between two very different signifying systems, and the personal encounter between author and filmmaker — sometimes involving an overt Oedipal struggle for selfhood. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.I88 M278 1993 AVAILABLE
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