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Edith Wharton And The Visual Arts

Sensational Modernism : Experimental Fiction And Photography In Thirties America

Looking Into Walt Whitman : American Art, 1850-1920

How Poets See The World : The Art Of Description In Contemporary Poetry

The Imaginative Claims Of The Artist In Willa Cather’s Fiction : "possession Granted By A Different Lease"

Unpainted To The Last : Moby-Dick And Twentieth-century American Art

  • Unpainted To The Last : Moby-Dick And Twentieth-century  American Art
  • Attribution

    Elizabeth A. Schultz
  • Publication Details

    Book, University Press of Kansas, 1995
  • Description

    “The great Leviathan is that one creature in the world which must remain unpainted to the last.”–Herman Melville Endlessly pursued but ever elusive, Moby-Dick roams freely throughout the American imagination. The most continuously, frequently, and diversely illustrated of all American novels, Moby-Dick has attracted some remarkable book illustrators in Rockwell Kent, Boardman Robinson, Garrick Palmer, Barry Moser, and Bill Sienkiewicz, among others represented here. It has also inspired extraordinary creations by such prominent artists as Jackson Pollock, Frank Stella, Sam Francis, Benton Spruance, Leonard Baskin, Theodoros Stamos, Richard Ellis, Ralph Goings, Seymour Lipton, Walter Martin, Tony Rosenthal, Richard Serra, and Theodore Roszak. (automatically summarized from Amazon.com)
  • Tags

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  • Availability

    LOCATIONCALL #STATUS
     OVERSIZE (UPPER)  PS2384.M62 S36 1995  AVAILABLE