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The Political Economy Of Art : Making The Nation Of Culture
Who Owns The Past? : Cultural Policy, Cultural Property, And The Law

Attribution
Kate Fitz Gibbon, editorPublication Details
BookRutgers University Press2005Links
Description
Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (LOWER LEVEL) AM221 .W48 2005 AVAILABLE
Arts, Inc. : How Greed And Neglect Have Destroyed Our Cultural Rights

Attribution
Bill IveyPublication Details
BookUniversity of California Press2008Description
In this impassioned and persuasive book, Bill Ivey, the former chairman of the National Endowment for the Arts, assesses the current state of the arts in America and finds cause for alarm. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NX730 .I93 2008 AVAILABLE
Staging Empire : Napoleon, Ingres, And David

Attribution
Todd Porterfield and Susan L. SiegfriedPublication Details
BookPennsylvania State University Press2006Links
Description
Staging Empire focuses on two landmark paintings that celebrated Napoleon’s coronation: Jean-Auguste-Dominique Ingres’s Napoleon I on His Imperial Throne (1806) and Jacques-Louis David’s Le Sacre (1805-7). Coronation pictures may seem to be all about the past, but they were produced to guarantee a future of empire whose military, media, and geopolitical practices are still with us today. Traditionally accepted as a document of the coronation of Napoleon and Josephine, Le Sacre is instead shown to be the most important barometer of the Empire’s propagandistic strategies. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N72.P6 P67 2006 AVAILABLE
Revolución! : Cuban Poster Art

Attribution
Lincoln CushingPublication Details
BookChronicle Books2003Links
Description
The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NC1807.C8 C87 2003 AVAILABLE
Grey Room
Art, Money, Parties : New Institutions In The Political Economy Of Contemporary Art

Attribution
edited by Jonathan HarrisPublication Details
BookLiverpool University Press2004Description
From the phenomenally successful new Tate Modern to the DIA: Beacon and Liverpool Biennial, contemporary visual art seems more than ever enmeshed in prominent public institutions and new forms of patronage, whether public commissions or corporate sponsorships. In Art, Money, Parties, renowned figures from the art world?including artists, dealers, and gallery owners?join scholars to consider these new institutional faces of contemporary art, their influence on art and artists, and how they affect the future of art. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NX180.S6 A78 2004 AVAILABLE
Remaking Beijing : Tiananmen Square And The Creation Of A Political Space

Attribution
Wu HungPublication Details
BookUniversity of Chicago Press2005Links
Description
Remaking Beijing considers the square’s transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations. Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China?as the site for Mao’s monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NA9072.B45 T539 2005 DUE 12-02-09
Federalizing The Muse : United States Arts Policy And The National Endowment For The Arts, 1965-1980

Attribution
Donna M. BinkiewiczPublication Details
BookUniversity of North Carolina Press2004Links
Description
Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA’s origins in the Cold War era colored arts policy with a distinctly moderate undertone. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NX735 .B56 2004 AVAILABLE
Museums And Modernity : Art Galleries And The Making Of Modern Culture

Attribution
Nick PriorPublication Details
BookNew York, NY2002Description
Short-listed for the Philip Abrams Memorial Prize 2003 Museums have been the subject of intense debate in recent years and their history and development raise important questions. Focusing on the role of national art galleries in continental Europe, England and Scotland, this book explores in depth the interrelationship between artistic and exhibitionary forms, as well as between power and governance in those places where the roots of modern culture were being laid most visibly. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N1010 .P75 2002 AVAILABLE
The King’s Artists : The Royal Academy Of Arts And The Politics Of British Culture, 1760-1840

Attribution
Holger HoockPublication Details
BookClarendon Press2003Links
Description
The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N332.G753 L664 2003 AVAILABLE
Bernini And The Bell Towers : Architecture And Politics At The Vatican

Attribution
Sarah McPheePublication Details
BookYale University Press2002Description
In 1638, the great artist-architect Gianlorenzo Bernini began one of the most ambitious architectural projects of his career: to design and construct massive twin bell towers atop St. Peter’s basilica at the Vatican. She reinterprets Bernini’s role as architect and shows convincingly that the failure of the bell tower was not Bernini’s own. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) NA1123.B5 M4 2002 AVAILABLE
The Allure Of Empire : Art In The Service Of French Imperialism, 1798-1836

Attribution
Todd PorterfieldPublication Details
BookPrinceton University Press1998Description
Porterfield reveals the interlocking strategies, the historical, scientific, moralistic, and gendered judgments, that imperial art conveyed in a strikingly rich variety of media: the obelisk at the Place de la Concorde, battle paintings of the Egyptian campaign, the first Egyptian Museum in the Louvre, and Delacroix’s Women of Algiers. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6847 .P59 1998 AVAILABLE
Myths Of Venice : The Figuration Of A State

Attribution
David RosandPublication Details
BookUniversity of North Carolina Press2001Description
Rosand explores the imagery that the Republic of Venice developed to represent itself as the ideal, serene state, founded with holy purpose and protected by divine favor. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6921.V5 R6919 2001 AVAILABLE
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