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Highbrow/lowdown : Theater, Jazz, And The Making Of The New Middle Class
Don’t Deny My Name : Words And Music And The Black Intellectual Tradition

Attribution
by Lorenzo Thomas ; edited and with an Introduction by Aldon Lynn NielsenPublication Details
BookUniversity of Michigan Press2008Links
Description
Black musical forms profoundly influenced the work of American poet and leading literary figure Lorenzo Thomas, and he wrote about them with keen insight—and obvious pleasure. This book, begun by Thomas before his death in 2005, collects more than a dozen of his savvy yet engagingly personal essays that probe the links between African American music, literature, and popular culture, from the Harlem Renaissance to the present. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3479 .T56 2008 AVAILABLE
Clawing At The Limits Of Cool : Miles Davis, John Coltrane And The Greatest Jazz Collaboration Ever

Attribution
Farah Jasmine Griffin, Salim WashingtonPublication Details
Book1st Thomas Dunne books edThomas Dunne Books2008Links
Description
Authors Farah Jasmine Griffin and Salim Washington examine the profound implications that the Davis/Coltrane collaboration would have for jazz and African American culture, drawing parallels to the changing standards of African American identity with their public personas and private difficulties. Their years together mark a watershed moment, and Clawing at the Limits of Cool draws on both cultural history and precise musical detail to illuminate the importance that their collaboration would have for jazz and American history as a whole. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3508 .G75 2008 AVAILABLE
A Trumpet Around The Corner : The Story Of New Orleans Jazz

Attribution
Samuel ChartersPublication Details
BookUniversity Press of Mississippi2008Description
A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3508.8.N48 C44 2008 AVAILABLE
Subversive Sounds : Race And The Birth Of Jazz In New Orleans

Attribution
Charles HerschPublication Details
BookUniversity of Chicago Press2007Links
Description
These encounters with other music and other races subverted their own racial identities and changed the way they played?a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3508.8.N48 H47 2007 AVAILABLE
Jazz On A Saturday Night

Attribution
Leo & Diane DillonPublication Details
BookBlue Sky Press2007Description
If you have ever been lucky enough to hear great jazz, then you will understand the pure magic of this book. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS CHILD LIT (LOWER) 781.65 D579j 2007 AVAILABLE
This Is Our Music : Free Jazz, The Sixties, And American Culture

Attribution
Iain AndersonPublication Details
BookUniversity of Pennsylvania Press2007Links
Description
At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3508 .A53 2007 AVAILABLE
The House That Trane Built : The Story Of Impulse Records

Attribution
Ashley KahnPublication Details
Book1st edW.W. Norton & Co2006Links
Description
The dynamic fifteen-year saga of the enduringly popular jazz record label guided by legendary saxophonist John Coltrane. Weaving together research, dynamic album covers, session photographs, and nearly one hundred interviews with executives, journalists, producers, and musicians?from Ray Charles and Alice Coltrane to Quincy Jones, Pharoah Sanders, McCoy Tyner, and others?this is the riveting tale of an era-shaping jazz label in the age of rock. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3792 .K34 2006 AVAILABLE
Blowin’ Hot And Cool : Jazz And Its Critics

Attribution
John GennariPublication Details
BookUniversity of Chicago Press2006Links
Description
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate?the dissonant noise clamoring in response to the sounds of jazz. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3506 .G46 2006 AVAILABLE
Jazz Visions : Reflections On Lennie Tristano And His Legacy

Attribution
Peter IndPublication Details
BookEquinox2005Links
Description
It is Ind?s long, direct involvement with his subject that makes this such a revealing book: the story of an English musician going to New York to study with a neglected Jazz giant. Lennie and the Changes in Jazz from the Fifties 6. the Man and Musician Part II Lennie: A More Technical Consideration of Jazz Improvisation and His Legacy 8. The Technical Base of Jazz and Lennie?s Approach Part III A Reconsideration of Lennie?s Legacy 11. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML417.T8 I63 2005 AVAILABLE
Jazz Consciousness : Music, Race, And Humanity

Attribution
Paul AusterlitzPublication Details
BookWesleyan University Press2005Links
Description
Drawing on his background as an ethnomusicologist as well as years of experience as an accomplished jazz musician, Paul Austerlitz argues that jazz–and the world-view or consciousness that surrounds it–embodies an aesthetic of inclusiveness, reaching out from its African American base to embrace all of humanity. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3918.J39 A97 2005 AVAILABLE
Considering Genius : Writings On Jazz

Attribution
Stanley CrouchPublication Details
BookBasic Civitas Books2006Description
Stanley Crouch-MacArthur “genius” award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia- has been writing about jazz and jazz artists for over thirty years. And the closing essay, about a young Italian saxophonist, expresses undaunted optimism for the worldwide vibrancy of jazz.Throughout, Crouch’s work reminds us not only of why he is one of the world’s most important living jazz critics, but also of why jazz itself remains, against all odds, an elemental component of our cultural identity. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML3506 .C75 2006 AVAILABLE
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