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German Expressionist Cinema : The World Of Light And Shadow

Attribution
Ian RobertsPublication Details
BookWallflower Press2008Description
iridescent movement’ of Weimar cinema provide some of cinema’s most iconic images, and its vivid contrasts and dark spaces constitute a major influence on Hollywood classics such as Citizen Kane (1941) and Sunset Boulevard (1950). (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.G3 R56 2008 NEW BOOK(MAIN)
Theaters Of Occupation : Hollywood And The Reeducation Of Postwar Germany

Attribution
Jennifer FayPublication Details
BookUniversity of Minnesota Press2008Links
Description
In the aftermath of total war and unconditional surrender, Germans found themselves receiving instruction from their American occupiers. As the American occupation of Germany has become a paradigm for more recent military operations, Fay argues that we must question its efficacy as a mechanism of cultural and political change. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.G3 F33 2008 AVAILABLE
When Heimat Meets Hollywood : German Filmmakers And America, 1985-2005

Attribution
Christine HaasePublication Details
BookCamden House2007Description
The film histories of Germany and the United States have long been seen as intertwined, but scholarship has focused on émigré works of the 1930s and 1940s, on links between Weimar film and American film noir, and on the conflicted relationship between directors of the New German Cinema and Hollywood. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.G3 H22 2007 AVAILABLE
Expressionist Film : New Perspectives

Attribution
edited by Dietrich ScheunemannPublication Details
BookCamden House2006Description
This attempt to rewrite the story of expressionist cinema begins with a fundamentally new interpretation of Dr. Caligari, and together with fresh views of other expressionist classics, offers new perspectives on important alternative film styles and genres that emerged in films by such eminent directors as Ernst Lubitsch, Joe May, Fritz Lang, Karl Grune, F. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.G3 E94 2006 AVAILABLE
Berlin Alexanderplatz : Radio, Film, And The Death Of Weimar Culture

Attribution
Peter JelavichPublication Details
BookUniversity of California Press2006Links
Description
This fascinating exploration of a work that was the epitome of German literary modernism illuminates in chilling detail the death of the Weimar Republic’s left-leaning culture of innovation and experimentation. Peter Jelavich examines Alfred D (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PT2607.O35 B51353 2006 AVAILABLE
A Culture Of Light : Cinema And Technology In 1920s Germany

Attribution
Frances GuerinPublication Details
BookUniversity of Minnesota Press2005Links
Description
And during Weimar Germany’s advance to technological modernity, light - particularly the representational possibilities of electrical light - became the link between the cinema screen and the rapid changes that were transforming German life. Guerin depicts a nocturnal Germany suffused with light - electric billboards, storefronts, police searchlights - and shows how this element of the mise-en-scene came to reflect both the opportunities and the anxieties surrounding modernity and democracy. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.G3 G84 2005 DUE 11-12-09
The German Cinema Book

Attribution
edited by Tim Bergfelder, Erica Carter and Deniz GöktürkPublication Details
BookBFI Pub2002Description
This comprehensive collection reevaluates traditional areas of interest in German cinema (such as Weimar cinema, Nazi pro-paganda, New German Cinema) and complements this with a fresh look at hitherto neglected aspects, including early cinema, the cinema of the GDR, popular genre traditions, questions of national cinema and identity, and German film’s transnational connections to Hollywood, as well as to exile and migrant cinemas. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1993.5.G3 G47 2002 AVAILABLE
The BFI Companion To German Cinema

Attribution
edited by Thomas Elsaesser with Michael WedelPublication Details
BookBritish Film Institute1999Description
In-depth articles consider the artistic peaks of Weimer cinema, the (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS REFERENCE (MAIN) PN1993.5.G3 B45 1999 AVAILABLE
Tainted Goddesses : Female Film Stars Of The Third Reich

Attribution
Cinzia Romani ; translated from the Italian by Robert Connolly ; foreword by Richard C. HotteletPublication Details
BookSarpedon1992Description
A fascinating illustrated history of the German film industry under the Nazis, with coverage of the leading actresses, summaries of the major films, and an assessment of political interference and manipulation. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1995.6.W6 R5513 1991 AVAILABLE
Propaganda And The German Cinema, 1933-1945

Attribution
David WelchPublication Details
BookClarendon Press1983Description
This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PN1995.9.N36 W45 1983 AVAILABLE
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