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Shakespeare And The American Popular Stage

Attribution
Frances TeaguePublication Details
BookCambridge University Press2006Links
Description
Shakespeare’s effect on America’s intellectual and artistic life has been much discussed, but what role does he play on the American popular stage? Barnum’s attempt to buy Shakespeare’s Birthplace, the Astor Place Riot when twenty-three people died, and the way both Abraham Lincoln and John Wilkes Booth regarded Shakespeare. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR2880.A1 T43 2006 AVAILABLE
The Musical As Drama : A Study Of The Principles And Conventions Behind Musical Shows From Kern To Sondheim

Attribution
Scott McMillinPublication Details
BookPrinceton University Press2006Links
Description
Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America’s most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML2054 .M353 2006 AVAILABLE
American Plays And Musicals On Screen : 650 Stage Productions And Their Film And Television Adaptations

Attribution
Thomas S. HischakPublication Details
BookMcFarland & Co2005Description
This reference work is an annotated guide to American stage productions remade for film and television, with works ranging from late 19th-century American plays and musicals, through silent and sound films, to made-for-video productions by PBS, A&E, HBO, and others. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS REFERENCE (MAIN) PS338.M67 H57 2005 AVAILABLE
Through The Screen Door : What Happened To The Broadway Musical When It Went To Hollywood

Attribution
Thomas S. HischakPublication Details
BookScarecrow Press2004Description
While the approach is critical, the style is readable and yields fascinating knowledge on the many things that did and didn’t happen as theatre and film have merged throughout the past century.Hischak’sanalysis covers productions from The Desert Song (1927), to Chicago (2002). (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML1711 .H42 2004 AVAILABLE
The Happiest Corpse I’ve Ever Seen : The Last Twenty-five Years Of The Broadway Musical

Attribution
[by] Ethan MorddenPublication Details
BookPalgrave Macmillan2004Links
Description
For Ethan Mordden, the closing night of the hit musical, 42nd St. sounded the death knell of the art form of the Broadway musical. Not content to scold the shows’ creators, Mordden takes on the critics, too, splaying their bodies across the Great White Way like Sweeney Todd giving a close shave. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML1711 .M734 2004 AVAILABLE
Our Musicals, Ourselves : A Social History Of The American Musical Theater

Attribution
John Bush JonesPublication Details
BookBrandeis University Press, published by University Press of New England2003Description
The first comprehensive social history of the American musical theater. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML1711 .J65 2003 AVAILABLE
Sondheim And Lloyd-Webber : The New Musical

Attribution
Stephen CitronPublication Details
BookOxford University Press2001Description
The New York Times called Stephen Sondheim “the greatest and perhaps best known artist in the American musical theater,” while two months earlier, the same paper referred to his contemporary, Andrew Lloyd-Webber as “the most commercially successful composer in history.” Lloyd-Webber’s musical contribution from his early works, The Likes of Us and Joseph to Jesus Christ Superstar, Evita, Cats, Starlight Express, Aspects of Love, By Jeeves, The Phantom of the Opera, Song & Dance, Mass, Sunset Boulevard to Whistle Down the Wind are also thoroughly analyzed. Complete with a quadruple chronology (Sondheim, Lloyd-Webber, US Theater, British Theater), copious quotations from their works, and many never before published illustrations, the future of the artform that is the crowning achievement of the 20th century is made eminently clear in this book. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML390 .C586 2001 AVAILABLE
The Great Hollywood Musical Pictures

Attribution
by James Robert Parish and Michael R. PittsPublication Details
BookScarecrow Press1992Description
Takes a lively look at some 340 motion pictures from Hollywood’s most distinctive genre. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS REFERENCE (MAIN) PN1995.9.M86 P37 1992 AVAILABLE
American Musical Theatre : A Chronicle

Attribution
Gerald BordmanPublication Details
Book2nd edOxford University Press1992Description
It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ML1711 .B67 1992 AVAILABLE
Word Crazy : Broadway Lyricists From Cohan To Sondheim

Attribution
Thomas S. HischakPublication Details
BookPraeger1991Description
It examines more than 90 years of American musical theater, the broad trends and the telling details: how unpretentious, chatty lyrics succeeded in capturing American audiences sated with European romanticism; (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS309.L8 H5 1991 AVAILABLE
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