Attribution
Lisa MonnasPublication Details
BookYale University Press2008Links
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Merchants, Princes And Painters : Silk Fabrics In Italian And Northern Paintings, 1300-1550
Titian, Tintoretto, Veronese : Rivals In Renaissance Venice
Attribution
Frederick Ilchman with contributions by Linda Borean … [et al.]Publication Details
Book1st edMFA Publications2009Description
For nearly four decades in the sixteenth century, the careers of Venice’s three greatest painters–Titan, Tintoretto and Veronese–overlapped, producing mutual influences and bitter rivalries that changed art history. In it, the three artists–brilliant, ambitious and fiercely competitive–vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS OVERSIZE (UPPER) ND621.V5 T58 2009 DUE 05-18-10
Giovanni Bellini
Attribution
Oskar BätschmannPublication Details
BookReaktion2008Description
With Giovanni Bellini, renowned art historian Oskar B (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND623.B39 B38 2008 AVAILABLE
Morandi 1890-1964
Attribution
edited by Maria Cristina Bandera and Renato MiraccoPublication Details
BookSkira2008Description
The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of photographs of Morandi?s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS OVERSIZE (UPPER) ND623.M687 A4 2008 AVAILABLE
Sienese Painting After The Black Death : Artistic Pluralism, Politics, And The New Art Market
Attribution
Judith B. SteinhoffPublication Details
BookCambridge University Press2007Links
Description
Asking how social, religious, and cultural change effect visual imagery and style. She demonstrates that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND621.S6 S74 2007 AVAILABLE
Late Titian And The Sensuality Of Painting
Attribution
edited by Sylvia Ferino-PagdenPublication Details
Book[1st ed.]Marsilio2008Availability
LOCATION CALL # STATUS OVERSIZE (UPPER) ND623.T7 A4 2008 AVAILABLE
Arcimboldo : 1526-1593
Attribution
edited by Sylvia Ferino-PagdenPublication Details
Book1st edSkira2007Description
Famous all over the world for his portraits—an illustrated composite of plants, fruit, and animals combined to create the illusion of a human form— Arcimboldo still remains, paradoxically, a painter shrouded in mystery. In addition to the artist’s anamorphic portraits, this volume includes an important selection of Arcimboldo’s paintings (many previously unpublished), tapestries, drawings, and illustrations created throughout his life, from his training in Lombardy to his time at the Hapsburg court. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND623.A7 A4 2007 AVAILABLE
The Cabinet Of Eros : Renaissance Mythological Painting And The Studiolo Of Isabella D’Este
Attribution
Stephen CampbellPublication Details
BookYale University Press2004Links
Description
The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND1422.I83 C36 2006 AVAILABLE
Bellini And The East
Attribution
[edited by] Caroline Campbell and Alan Chong ; with contributions from Deborah Howard and J.M. Rogers ; and additional entries by Sylvia Auld … [et al.]Publication Details
BookNational Gallery Co2005Description
This gorgeous book focuses on the work of the remarkable Bellini family of painters?Jacopo and his (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS RESERVE BOOK H3-B AVAILABLE
Bellini, Giorgione, Titian, And The Renaissance Of Venetian Painting
Attribution
David Alan Brown, Sylvia Ferino- Pagden ; with Jaynie Anderson … [et al.] ; technical studies by Barbara H. Berrie … [et al.]Publication Details
BookNational Gallery of Art2006Links
Description
The first three decades of the sixteenth century represent, visually and intellectually, the most exciting phase of the Renaissance in Venice?when Giorgione and the young Titian, together with Sebastiano del Piombo, Palma Vecchio, and others, were working alongside the older master Giovanni Bellini. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND621.V5 B76 2006 AVAILABLE
Masterpieces Of Italian Painting : The Walters Art Museum
Attribution
Publication Details
BookWalters Art Mueum in association with D Giles, London2005Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND611 .M37 2005b AVAILABLE
The Lost Painting
Attribution
Jonathan HarrPublication Details
Book1st edRandom House2005Description
Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries. Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr’s previous book, A Civil Action, was made into a John Travolta movie), Harr doesn’t plump up hi tale. –The New York Times Book Review “Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste–and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND623.C26 H37 2005 AVAILABLE
Italian Renaissance Painting According To Genres
Attribution
Jacob Burckhardt ; introduction by Maurizio Ghelardi ; translation by David Britt and Caroline BeamishPublication Details
BookGetty Research Institute2005Links
Description
Maurizio Ghelardi’s introductory essay analyzes Burckhardt’s innovative treatment of his subject, establishing the importance of this text not only within Burckhardt’s oeuvre but also within the continuum of art historical research. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND615 .B8713 2005 AVAILABLE
Italian Paintings, 1250-1450, In The John G. Johnson Collection And The Philadelphia Museum Of Art
Attribution
Carl Brandon StrehlkePublication Details
BookPhiladelphia Museum of Art2004Availability
LOCATION CALL # STATUS OVERSIZE (UPPER) ND615 .S77 2004 AVAILABLE
Caravaggio
Attribution
Patrick HuntPublication Details
BookHaus Pub2004Description
Nominated and Short-listed for the 2005 William Saroyan International Prize for Writing Born Michelangelo Merisi, as an adult he became known by the name of his birthplace, Caravaggio (1571-1610), he was the most revolutionary artist of the Italian Baroque. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) ND623.C26 H85 2004 AVAILABLE
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