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The Mirror, The Window, And The Telescope : How Renaissance Linear Perspective Changed Our Vision Of The Universe

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The Vision Revolution : How The Latest Research Overturns Everything We Thought We Knew About Human Vision

  • The Vision Revolution : How The Latest Research Overturns Everything We Thought We Knew About Human Vision

  • Attribution

    Mark Changizi

  • Publication Details

    Book, Benbella Books, 2009

  • Description

    Primates evolved binocular vision (both eyes facing forward) so that they can see in three dimensions, critical as they jumped from branch to branch. The Vision Revolution answers these questions, and proves, with the detailed results of Changizi’s fieldwork, that the answers are very different than traditionally believed. (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     BROWSING (MAIN)  QP475 .C43 2009  DUE 12-21-09

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Image And Brain : The Resolution Of The Imagery Debate

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3D Shape : Its Unique Place In Visual Perception

  • 3D Shape : Its Unique Place In Visual Perception

  • Attribution

    Zygmunt Pizlo

  • Publication Details

    Book, MIT Press, 2008

  • Description

    Pizlo argues that once shape is understood to be unique among visual attributes and the perceptual mechanisms underlying shape are seen to be different from other perceptual mechanisms, the research on shape becomes coherent and experimental findings no longer seem to contradict each other. A single theory of shape perception is thus possible, and Pizlo offers a theoretical treatment that explains how a three-dimensional shape percept is produced from a two-dimensional retinal image, assuming only that the image has been organized into two-dimensional shapes. (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     (LOWER LEVEL)  BF293 .P59 2008  AVAILABLE

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Visual Literacy

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Images And Identity In Fifteenth-century Florence

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Who’s Hiding?

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The Beholder : The Experience Of Art In Early Modern Europe

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Calibration Of Proprioception

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Vision Application Of Human Robot Interaction Development Of A Ping Pong Playing Robotic Arm

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Laws Of Seeing

  • Laws Of Seeing

  • Attribution

    Wolfgang Metzger ; translated by Lothar Spillmann … [et al.]

  • Publication Details

    Book, MIT Press, 2006

  • Links

  • Description

    This classic work in vision science, written by a leading figure in Germany’s Gestalt movement in psychology and first published in 1936, addresses topics that remain of major interest to vision researchers today. Today’s researchers may find themselves pondering the intriguing question of what effect Metzger’s theories might have had on vision research if Laws of Seeing and its treasure trove of perceptual observations had been available to the English-speaking world at the time of its writing. (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     (LOWER LEVEL)  BF241 .M413 2006  AVAILABLE

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Super Vision : Institute Of Contemporary Art/Boston

  • Super Vision : Institute Of Contemporary Art/Boston

  • Attribution

    edited by Nicholas Baume

  • Publication Details

    Book, MIT Press, 2006

  • Description

    In Super Vision, which accompanies the inaugural exhibit at the new Institute of Contemporary Art, Boston, a broad selection of important works in a variety of media expresses both the ecstatic and the threatening aspects of vision and reveals visual experience as a source of both pleasure and fear. Featured Artists: Chantal Akerman, Ricci Albenda, Tony Cragg, Harold Edgerton, Harun Farocki, Noriko Furunishi, Jack Goldstein, Andreas Gursky, Mona Hatoum, Runa Islam, Anish Kapoor, Jeff Koons, Josiah McElheny, Julie Mehretu, Albert Oehlen, Yoko Ono, Gabriel Orozco, Tony Oursler, Sigmar Polke, Gerhard Richter, Bridget Riley, Ugo Rondinone, Thomas Ruff, Ed Ruscha, James Turrell, Tam Van Tran, Jeff Wall. (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     (UPPER LEVEL)  N7430.5 .S87 2006  AVAILABLE

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An Introduction To Visual Culture

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The Psychology Of Art And The Evolution Of The Conscious Brain

  • The Psychology Of Art And The Evolution Of The Conscious Brain

  • Attribution

    Robert L. Solso

  • Publication Details

    Book, MIT Press, 2003

  • Description

    How did the human brain evolve so that consciousness of art could develop? Drawing on his earlier book Cognition and the Visual Arts and ten years of new findings in cognitive research (as well as new ideas in anthropology and art history), Solso shows that consciousness developed gradually, with distinct components that evolved over time. (automatically summarized from Amazon.com)

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    LOCATIONCALL #STATUS
     (LOWER LEVEL)  BF311 .S652 2003  AVAILABLE

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The Rhetoric Of Perspective : Realism And Illusionism In Seventeenth-century Dutch Still-life Painting

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