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Edith Wharton And The Visual Arts

Attribution
Emily J. OrlandoPublication Details
BookUniversity of Alabama Press2007Links
Description
Emily Orlando contends that while Wharton’s early work presents women enshrined by men through art, the middle and later fiction shifts the seat of power to women. Edith Wharton and the Visual Arts is the first extended study to examine the presence in Wharton’s fiction of the Pre-Raphaelite poetry and painting of Rossetti and his muses, notably Elizabeth Siddall and Jane Morris. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS3545.H16 Z756 2007 AVAILABLE
Sensational Modernism : Experimental Fiction And Photography In Thirties America

Attribution
by Joseph B. EntinPublication Details
BookUniversity of North Carolina Press2007Links
Description
Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, he argues that these artists drew attention to the country’s most vulnerable residents by using what he calls an “aesthetic of astonishment,” focused on startling, graphic images of pain, injury, and prejudice. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS374.E95 E58 2007 AVAILABLE
Portraits Of The New Negro Woman : Visual And Literary Culture In The Harlem Renaissance

Attribution
Cherene Sherrard- JohnsonPublication Details
BookRutgers University Press2007Links
Description
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. Cherene Sherrard-Johnson traces the origins and popularization of these new representations in the art and literature of the Harlem Renaissance and how they became an ambiguous symbol of racial uplift constraining African American womanhood in the early twentieth century. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS153.N5 S49 2007 AVAILABLE
A Thousand Words : Portraiture, Style, And Queer Modernism

Attribution
Jaime HoveyPublication Details
BookOhio State University Press2006Links
Description
A Thousand Words argues that there is such a thing as queer modernism, and that the (mostly) literary portrait?one of the more prominent forms of experimentalism in late-nineteenth- and early-twentieth-century writing?functions as one of its most important erotically dynamic aesthetic mechanisms, one modeled on visual portraiture?s relationships of looking between the artists, sitters, and spectators of paintings. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR478.H65 H68 2006 AVAILABLE
How Poets See The World : The Art Of Description In Contemporary Poetry

Attribution
Willard SpiegelmanPublication Details
BookOxford University Press2005Links
Description
This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the “new way of looking” that Jorie Graham proposes to explore in her increasingly fragmented poems. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS310.V57 S67 2005 DUE 01-21-10
John Donne’s Poetry And Early Modern Visual Culture
Renaissance Realism : Narrative Images In Literature And Art

Attribution
Alastair FowlerPublication Details
BookOxford University Press2003Links
Description
Early narratives have tended to be critiqued as novels, an approach that misses their distinctive Renaissance realism. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR428.A76 F68 2003 AVAILABLE
The Expressive Eye : Fiction And Perception In The Work Of Thomas Hardy

Attribution
J.B. BullenPublication Details
BookClarendon Press1986Description
Bullen explores this fascinating link between the image and the idea in the fiction of Thomas Hardy, and demonstrates how Hardy approached his work from a particular “point of view” which not only determined the lighting, composition, and structure of his literary visual effects, but which also allowed him to express emotions and ideas in the direct, “vividly visible” fashion that is the hallmark of his greatest fiction. (automatically summarized from Amazon.com)Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR4757.T4 B85 1986 AVAILABLE
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