
Title
- Mathematics And Art In The Renaissance
Attribution
J.V. FieldPublication Details
BookOxford University Press1997Availability
LOCATION CALL # STATUS (UPPER LEVEL) N7430.5 .F52 1997 AVAILABLE New Feature: Text this to your cellphone
View record in LOLA catalogDescription
Field traces the influence of the mathematics of perspective in the arts, and shows how this led to the invention of a new kind of geometry in the 17th century–the new projective geometry of Desargues–which proved to be a highly significant contribution to the development of modern mathematics. Extensively illustrated with superb color and black and white plates, and including selected extracts from the original mathematical texts, this clear and entertaining account will delight anyone interested in the history of mathematics and art, as well as in the multi-layered social history of the Renaissance. (automatically summarized from Amazon.com)Subject
Places in this work
Notes
- "From Giotto to Michelangelo and beyond, the period from about 1300 to 1650 saw an extraordinary flowering in the visual arts in Western Europe. The works produced were sometimes of astonishing quality and their history has been well documented and much discussed." "The scientific endeavour of the time has received considerably less attention. The history of science is a newer discipline than history of art, and no topic is newer than the history of mathematics in the period that saw the beginning of the Renaissance in the arts." "This book tells us about the everyday worlds of art and mathematics in a time when artists were merely ‘craftsmen’ and their practical mathematics was separate from the mathematics of scholars. The story brings together the histories of art and mathematics and shows how the craftsmen’s discoveries changed learned mathematics, taking it beyond the admired achievements of the Ancient Greeks. Infinity at last acquired a precise mathematical meaning. The journey takes us through consideration of some of the world’s most renowned paintings, and lively accounts of the mathematical techniques and discoveries of the time. We are in a world where art and the sciences have not yet pulled apart from one another, and it becomes clear that the mathematical nature of what we now call Science may well owe something to the tradition of what is now called Art."–BOOK JACKET
Contents
- 1. Medieval mathematics and optics and the Renaissance style in art
- 2. Building, drawing and ‘artificial perspective’
- 3. Through the wall: Masaccio’s Trinity fresco (c. 1426)
- 4. Piero della Francesca’s mathematics
- 5. Piero della Francesca’s perspective treatise
- 6. Practitioners and patricians
- 7. The professionals move in
- 8. Beyond the ancients
- 9. Fragmented perspectives
- App. The abacists’ pet triangle, with sides 13, 14, 15
ISBN
- 0198523947
LCCN
Open Library ID
-

- Search
- Search Library Catalog
- Search entire library,
including catalog:
- Search Library Catalog
- Find
- Get Help
- Services
- Information
- My Account
-
Meta











