
Attribution
edited by John R. BradleyPublication Details
BookPalgrave2000Availability
LOCATION CALL # STATUS (UPPER LEVEL) PS2127.F55 H46 2000 AVAILABLE New Feature: Text this to your cellphone
View record in LOLA catalogDescription
In the 1890s, when Henry James tried to achieve fame and financial security by turning to the theater, he was unceremoniously booed off the stage. (automatically summarized from Amazon.com)Subject
Contents
- Henry James on stage : ‘that sole intensity which the theatre can produce’ / Sheldon M. Novick
- ‘The master’s voice’ : Henry James and opera / Michael Halliwell
- Henry James : varieties of cinematic experience / Philip Horne
- The end of embroidery : from Washington Square to The heiress / Peter Swaab
- Ceremonies of innocence : men, boys and women in The turn of the screw / Michelle Deutsch
- Frank and Jim go boating : Henry James and the French new wave / David Van Leer
- Black and white and shades of grey : ambiguity in The innocents / Val Wilson
- Enduring ephemera : James Cellan Jones, Henry James and the BBC / Neil Berry
- Framing the ’sketch’ : Bogdanovich’s Daisy Miller / David Cross
- Marriage, influence and deception in Merchant-Ivory’s The Europeans and The Bostonians / Elizabeth Brake
- ‘Exquisite taste’ : the recent Henry James films as middle-brow culture / Mark Eaton
- The consciousness on the cutting room floor : Jane Campion’s The portrait of a lady / Michael Anesko
- For mature audiences : sex, gender and recent film adaptations of Henry James’s fiction / John Carlos Rowe
- How to do things to words : making language immaterial in The wings of the dove / Marcia Ian
- Portraits of Lady Chatterleys : Jamesian triangles, Lawrencian eros and the triumph of cinematic adaptation in The wings of the dove / Richard A. Kaye
ISBN
- 0333792149
LCCN
Open Library ID
-

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