Lamson Library » Manet Manette

Manet Manette

Attribution
Carol Armstrong
Publication Details
Book, Yale University Press, 2002
Availability
LOCATION CALL # STATUS
(UPPER LEVEL) ND553.M3 A95 2002 AVAILABLE
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Description
Manet, a founding father of modernism, is one of the towering figures of nineteenth-century art. As she places his art within frameworks of color, the feminine Other (the “Manette” in “Manet”), and consumerism, Armstrong greatly expands and revises our understanding of this artist as a painter of modern life. (automatically summarized from Amazon.com)
Authors
- Armstrong, Carol M
- Manet, Edouard, 1832-1883
Subject
- Manet, Edouard, — 1832-1883 — Criticism and interpretation
Contents
- Introduction: Manet’s "Inconsistency"
- Pt. 1. 1867
- 1. Two Retrospectives: Courbet in 1855 and Manet in 1867
- 2. A New Manner in Painting: Emile Zola on Manet
- 3. Manette Salomon: Another View of Modern Painting
- Pt. 2. Before 1867
- 4. Reproducing Originality: The Cadart Portfolio
- 5. Between Gautier’s Spain and Baudelaire’s Modern Life: Manet’s Show at Martinet’s
- 6. Mlle V. … in the Costume of …: Painting and Exhibiting Victorine between 1862 and 1868
- Pt. 3. After 1867
- 7. Manet, Morisot, and the Gonzales Affair: The Salons of 1869, 1870, and 1873
- 8. Modernity according to Manet: Impressionism at the Salon, 1874 to 1879
- 9. Facturing Femininity, Fashioning the Commodity: Between Nana and La Vie Moderne
- 10. Finale: The Bar at the Folies-Bergere
- Afterword: To you, Edouard Manet
ISBN
- 0300096585
- 9780300096583
LCCN
- 2002001582
Open Library ID
- /b/OL9770503M