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Difference And Excess In Contemporary Art : The Visibility Of Women’s Practice

  • Difference And Excess In Contemporary Art : The  Visibility Of Women's Practice
  • Title

    • Art History
  • Attribution

    edited by Gill Perry
  • Publication Details

    Book, Blackwell, 2004
  • Availability

    LOCATIONCALL #STATUS
      (UPPER LEVEL)  N8354 .D54 2004         AVAILABLE

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  • Description

    Considers the work of American artists Martha Rosler and Kara Walker, Irish artist Alice Maher, British artists Lubaina Himid, Christine Borland, Sarah Lucas, Cornelia Parker, Gillian Wearing and Rachel Whiteread, and the international performance group, moti roti. (automatically summarized from Amazon.com)
  • Author

  • Subject

  • Places in this work

  • Notes

    • "First published as Volume 26, number 3 of Art History
  • Contents

    • 1. Introduction: Visibility, Difference and Excess / Gill Perry
    • 2. ‘Out Of It’: Drunkenness and Ethics in Martha Rosler and Gillian Wearing / David Hopkins
    • 3. A Strange Alchemy: Cornelia Parker / Lisa Tickner
    • 4. Antibodies: Rachel Whiteread’s Water Tower / Sue Malvern
    • 5. Hybrid Histories: Alice Maher / Fionna Barber
    • 6. Reading Black Through White in the Work of Kara Walker / Michael Corris and Robert Hobbs
    • 7. Corporeal Theory with/in Practice: Christine Borland’s Winter Garden / Marsha Meskimmon
    • 8. Cultural Crossings: Performing Race and Trans-gender in the Work of moti roti / Dorothy Rowe
    • 9. Lubaina Himid’s Plan B: Close up Magic and Tricky Allusions / Jane Beckett
  • ISBN

    • 1405112026
  • LCCN

  • Open Library ID

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