
Attribution
Janina StrukPublication Details
BookI.B. Tauris2004Availability
LOCATION CALL # STATUS (LOWER LEVEL) D804.32 .S77 2004 AVAILABLE New Feature: Text this to your cellphone
View record in LOLA catalogDescription
Whether taken by Nazis or their collaborators, by Jews themselves, their sympathizers and the resistance movements in the occupied territories, or by Allied forces at the end of the war, Struk suggests that the provenance of these images has been seen as of secondary importance to their meaning and the political ends they have been used for–from the desperate attempts of the war-time underground, to the memorial museums of Europe, the US and Israel today. (automatically summarized from Amazon.com)Subject
Notes
- "This book recounts the history of the use and abuse of Holocaust photographs and illustrates the stories it tells and the questions it explores with a wide range of photographs, including a number never published before."– BOOK JACKET
Contents
- Introduction: A Photograph from the Archives
- 1. Photography and National Socialism 1933-39
- 2. Photographs as Evidence
- 3. Armed with a Camera
- 4. Cameras in the Ghettos
- 5. Cameras in the Camps
- 6. Liberations
- 7. Constructing the Post-war Memory: ‘Don’t Mention the Jews’
- 8. Commercializing the Holocaust: ‘There’s No Business Like Shoah Business’
- 9. Interpretations of the Evidence
- 10. Dying for Eternity
ISBN
- 1860645461
- 9781860645464
Open Library ID
-

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