
Title
- Art Of The 20th Century
Attribution
edited by Jason Gaiger and Paul WoodPublication Details
BookYale University Press2003Availability
LOCATION CALL # STATUS (UPPER LEVEL) N6490 .A7175 2003 AVAILABLE New Feature: Text this to your cellphone
View record in LOLA catalogDescription
This reader, a companion to The Open University’s four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. (automatically summarized from Amazon.com)Subject
Notes
- "Accompanies the Open University course Art of the twentieth century"–T.p. verso
Contents
- I. Modernism and the Crisis of Modernism
- 1. Selection of statements on early modernism
- ‘Simplification and Design’, 1913 / Clive Bell
- ‘Negro Sculpture’, 1920 / Roger Fry
- from Modern Plastic Art, 1937 / Carola Giedion-Welcker
- ‘A Definition of Primitivism’, 1938 / Robert Goldwater
- from The Story of Modern Art, 1941 / Sheldon Cheney
- ‘Statement’, 1959 / Elaine de Kooning
- 2. ‘The Nature of Abstract Art’, 1937 / Meyer Schapiro
- 3. ‘Modernism in Comparative Perspective’, 1982 / Eugene Lunn
- 4. from Farewell to an Idea, 1999 / T. J. Clark
- II. Avant-Garde and Neo-Avant-Garde
- 1. from Theory of the Avant-Garde, 1974 / Peter Burger
- 2. ‘How a Cubist Painting Holds Together’, 2002 / Paul Smith
- 3. ‘The Pasted-Paper Revolution’, 1958 / Clement Greenberg
- 4. from The Critique of Everyday Life, 1947 / Henri Lefebvre
- 5. ‘The Primary Colours for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde’, 1986 / Benjamin Buchloh
- III. Modernity and Photography
- 1. ‘News about Flowers’, 1928 / Walter Benjamin
- 2. ‘A Few Words on Photomontage’, 1934 / Hannah Hoch
- 3. ‘Photography in the Service of Surrealism’, 1986 / Rosalind Krauss
- 4. from The Photographer’s Eye, 1969 / John Szarkowski
- 5. ‘Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)’, 1976-8 / Allan Sekula
- 6. ‘"Marks of Indifference": Aspects of Photography in, or as, Conceptual Art’, 1995 / Jeff Wall
- IV. Subjects and Objects
- 1. ‘Literalism and Abstraction’, 1970 / Philip Leider
- 2. ‘Space, Time and Situation’, 2000 / Alex Potts
- 3. ‘Escape Attempts’, 1995 / Lucy Lippard
- 4. ‘Convention and Innovation’, 1976 / Clement Greenberg
- 5. ‘Art Object and Art Work’, 1989 / Charles Harrison
- 6. ‘One Place After Another: Notes on Site Specificity’, 1997 / Miwon Kwon
- V. The Performance of Identity
- 1. ‘Personism: A Manifesto’, 1960 / Frank O’Hara
- 2. ‘Painting, Feminism, History’, 2001 / Griselda Pollock
- 3. ‘The Discourse of Others: Feminists and Postmodernism’, 1985 / Craig Owens
- 4. from Body Art: Performing the Subject, 1998 / Amelia Jones
- 5. ‘Objects Beyond Objecthood’, 1999 / Briony Fer
- VI. Globalisation
- 1. ‘What is this "black" in black popular culture?’, 1992 / Stuart Hall
- 2. ‘Perfidious Fidelity: the Untranslatability of the Other’, 1994 / Sarat Maharaj
- 3. ‘Emily Kame Kngwarreye and the Undeconstructible Space of Justice’, 1998 / Rex Butler
- 4. ‘The Black Box’, 2002 / Okwui Enwezor
ISBN
- 0300101449
- 9780300101447
Open Library ID
-

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