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Art Of The Twentieth Century : A Reader

  • Art Of The Twentieth Century : A Reader
  • Title

    • Art Of The 20th Century
  • Attribution

    edited by Jason Gaiger and Paul Wood
  • Publication Details

    Book, Yale University Press, 2003
  • Availability

    LOCATIONCALL #STATUS
      (UPPER LEVEL)  N6490 .A7175 2003         AVAILABLE

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  • Description

    This reader, a companion to The Open University’s four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. (automatically summarized from Amazon.com)
  • Authors

  • Subject

  • Notes

    • "Accompanies the Open University course Art of the twentieth century"–T.p. verso
  • Contents

    • I. Modernism and the Crisis of Modernism
    • 1. Selection of statements on early modernism
    • ‘Simplification and Design’, 1913 / Clive Bell
    • ‘Negro Sculpture’, 1920 / Roger Fry
    • from Modern Plastic Art, 1937 / Carola Giedion-Welcker
    • ‘A Definition of Primitivism’, 1938 / Robert Goldwater
    • from The Story of Modern Art, 1941 / Sheldon Cheney
    • ‘Statement’, 1959 / Elaine de Kooning
    • 2. ‘The Nature of Abstract Art’, 1937 / Meyer Schapiro
    • 3. ‘Modernism in Comparative Perspective’, 1982 / Eugene Lunn
    • 4. from Farewell to an Idea, 1999 / T. J. Clark
    • II. Avant-Garde and Neo-Avant-Garde
    • 1. from Theory of the Avant-Garde, 1974 / Peter Burger
    • 2. ‘How a Cubist Painting Holds Together’, 2002 / Paul Smith
    • 3. ‘The Pasted-Paper Revolution’, 1958 / Clement Greenberg
    • 4. from The Critique of Everyday Life, 1947 / Henri Lefebvre
    • 5. ‘The Primary Colours for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde’, 1986 / Benjamin Buchloh
    • III. Modernity and Photography
    • 1. ‘News about Flowers’, 1928 / Walter Benjamin
    • 2. ‘A Few Words on Photomontage’, 1934 / Hannah Hoch
    • 3. ‘Photography in the Service of Surrealism’, 1986 / Rosalind Krauss
    • 4. from The Photographer’s Eye, 1969 / John Szarkowski
    • 5. ‘Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)’, 1976-8 / Allan Sekula
    • 6. ‘"Marks of Indifference": Aspects of Photography in, or as, Conceptual Art’, 1995 / Jeff Wall
    • IV. Subjects and Objects
    • 1. ‘Literalism and Abstraction’, 1970 / Philip Leider
    • 2. ‘Space, Time and Situation’, 2000 / Alex Potts
    • 3. ‘Escape Attempts’, 1995 / Lucy Lippard
    • 4. ‘Convention and Innovation’, 1976 / Clement Greenberg
    • 5. ‘Art Object and Art Work’, 1989 / Charles Harrison
    • 6. ‘One Place After Another: Notes on Site Specificity’, 1997 / Miwon Kwon
    • V. The Performance of Identity
    • 1. ‘Personism: A Manifesto’, 1960 / Frank O’Hara
    • 2. ‘Painting, Feminism, History’, 2001 / Griselda Pollock
    • 3. ‘The Discourse of Others: Feminists and Postmodernism’, 1985 / Craig Owens
    • 4. from Body Art: Performing the Subject, 1998 / Amelia Jones
    • 5. ‘Objects Beyond Objecthood’, 1999 / Briony Fer
    • VI. Globalisation
    • 1. ‘What is this "black" in black popular culture?’, 1992 / Stuart Hall
    • 2. ‘Perfidious Fidelity: the Untranslatability of the Other’, 1994 / Sarat Maharaj
    • 3. ‘Emily Kame Kngwarreye and the Undeconstructible Space of Justice’, 1998 / Rex Butler
    • 4. ‘The Black Box’, 2002 / Okwui Enwezor
  • ISBN

    • 0300101449
    • 9780300101447
  • Open Library ID

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