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History Of Beauty

  • History Of Beauty
  • Attribution

    edited by Umberto Eco ; translated by Alastair McEwen
  • Publication Details

    Book, Rizzoli, 2004
  • Availability

    LOCATIONCALL #STATUS
     (LOWER LEVEL)  BH81 .H57 2004  AVAILABLE

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  • Description

    Professor Eco takes us from classical antiquity to the present day, dispelling many preconceptions along the way and concluding that the relevance of his research is urgent because we live in an age of great reverence for beauty, “an orgy of tolerance, the total syncretism and the absolute and unstoppable polytheism of Beauty.” (automatically summarized from Amazon.com)
  • Author

  • Subject

  • Notes

    • "What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco’s journey into the aesthetics of beauty, a journey in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today and questions the values that accompany the way we today register beauty, both past and present. While closely examining the development of the visual arts, and drawing on works of literature from each era, he broadens his enquiries to consider a range of concepts, including the idea of love, the unattainable woman, natural inspiration versus numeric formulas, and the continuing importance of ugliness, cruelty, and even the demonic." "In this, his first illustrated book, Professor Eco offers a layered approach that includes a running narrative, abundant examples of painting and sculpture, and lengthy quotations from writers and philosophers of each age, in addition to comparative tables."–BOOK JACKET
  • Contents

    • Ch. I. The aesthetic ideal in Ancient Greece
    • Ch. II. Apollonian and Dionysiac
    • Ch. III. Beauty as proportion and harmony
    • Ch. IV. Light and color in the Middle Ages
    • Ch. V. The beauty of monsters
    • Ch. VI. From the pastourelle to the Donna Angelicata
    • Ch. VII. Magic beauty between the fifteenth and sixteenth centuries
    • Ch. VIII. Ladies and heroes
    • Ch. IX. From grace to disquieting beauty
    • Ch. X. Reason and beauty
    • Ch. XI. The sublime
    • Ch. XII. Romantic beauty
    • Ch. XIII. The religion of beauty
    • Ch. XIV. The new object
    • Ch. XV. The beauty of machines
    • Ch. XVI. From abstract forms to the depths of material
    • Ch. XVII. The beauty of the media
  • ISBN

    • 0847826465
    • 9780847826469
  • Open Library ID

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