
Attribution
Mary Ann CaloPublication Details
BookTemple University Press1994Availability
LOCATION CALL # STATUS (UPPER LEVEL) N7483.B47 C36 1994 AVAILABLE New Feature: Text this to your cellphone
View record in LOLA catalogDescription
While Bernard Berenson’s roles a connoisseur, Renaissance art expert, defender of Western culture, and arbiter of taste extraordinaire are well known, his role as critic and theorist of modern art has until now been little understood. (automatically summarized from Amazon.com)Subject
Places in this work
Contents
- 1. Appraising Berenson
- Berenson and Early Modernism
- Berenson as a Theorist
- Berenson as a Writer
- Characterizing Berenson’s Achievement
- 2. Defining Berenson’s Modernity
- The Venetian Painters of the Renaissance
- Lorenzo Lotto
- Egisto Fabbri and Hermann Obrist
- The Florentine Painters of the Renaissance
- The Central Italian Painters of the Renaissance
- 3. Berenson at the Crossroads
- Connoisseurship Versus Criticism
- A Sienese Painter of the Franciscan Legend
- The North Italian Painters of the Renaissance
- "The Decline of Art"
- Critical Writing During the Duveen Years
- 4. Berenson’s Last Years
- The Sage of Settignano
- Aesthetics and History in the Visual Arts
- "Decline and Recovery in the Figure Arts"
- The Performing Monkey
- The Geometricization of the Individual: Humanism at Risk
- Seeing and Knowing
ISBN
- 1566391164
- 1566391172
LCCN
Open Library ID
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