Contents

• Staging Europe in Shakespeare
• "In states unborn and accents yet unknown" : Shakespeare and the European Canon
• The translator’s visibility : the debate over a "royal translation" of Hamlet
• Shakespeare and Cervantes in 1916 : the politics of language
• Camel, weasel, whale : the cloud-scene in Hamlet as a Hungarian parable
• The British personality of the millennium : British Shakespeares, amateur and professional, in the new century
• Accommodating Shakespeare to ballet : John Cranko’s Romeo and Juliet (Venice, 1958)
• Jocza Savits : organic Shakespeare for the folk
• Unstopping our mouths : Shakespeare in Swiss-German Mundart
• National identity and the teaching of Shakespeare
• Undoing nationalist leanings in teaching Shakespeare : Shakespeare and Eminesau
• Children’s hours : Shakespeare, and lambs, and French education
• Teaching Shakespeare : indoctrination or creativity?
• Sexual morality and critical traditions
• King Lear : Kozintsev’s social translation
• The Shakespearean sound in translation
• Translation and performance