
Attribution
edited by S.P. Cerasano and Marion Wynne-DaviesPublication Details
BookRoutledge1998Availability
LOCATION CALL # STATUS (UPPER LEVEL) PR658.W6 R43 1998 AVAILABLE New Feature: Text this to your cellphone
View record in LOLA catalogDescription
Readings in Renaissance Women’s Drama is the first significant collection of critical and historical essays on women’s essential contributions to the Renaissance stage. (automatically summarized from Amazon.com)Subject
- English drama — Women authors — History and criticism
- English drama — Early modern and Elizabethan, 1500-1600 — History and criticism
- Women and literature — England — History — 16th century
- Women and literature — England — History — 17th century
- English drama — 17th century — History and criticism
- Renaissance — England
Places in this work
Contents
- Pt. 1. Early commentaries. Mary Sidney is praised to Elizabeth I (1594). ; Samuel Daniel to Mary Sidney (1594). ; John Davies of Hereford commends Mary Sidney and Elizabeth Cary (1612). ; William Sheares to Elizabeth Cary (1633). ; Jonson and Wroth (1640). ; Elizabeth Cary’s Biography (1643-9). ; Celebrating several ladies (1752). ; The Cavalier’s Lady and her plays (1872). ; The first scholarly edition of Mary Sidney’s Antonie (1897). ; Lumley’s play first published (1909). ; The first modern edition of Mariam (1914). ; Early critical recognition of Elizabeth Cary and Margaret Cavendish (1920). ; Woolf on Margaret Cavendish (1925). ; T. S. Eliot on Senecan Drama (1927). ; Virginia Woolf on ‘Judith Shakespeare’ (1929). ; The first edition of The Concealed Fancies (1931). ; Cary and ‘A Woman’s Duty’ (1940). ; Mary Sidney: Philip’s Sister (1957).
- Pt. II. Contexts and issues. Women playwrights in England: Renaissance noblewomen / Nancy Cotton. ; The Arts at the English Court of Anna of Denmark / Leeds Barroll. ; ‘My seeled chamber and dark parlour room’: the English country house and Renaissance women dramatists / Marion Wynne-Davies. ; Women as patrons of English Renaissance drama / David M. Bergeron. ; Women as spectators, spectacles, and paying customers / Jean E. Howard. ; Women as theatrical investors: three shareholders and the second Fortune Playhouse / S. P. Gerasano. ; ‘Why may not a lady write a good play?’: plays by Early Modern women reassessed as performance texts / Gweno Williams.
- Pt. III. Early Modern women dramatists. ‘We princes, I tell you, are set on stages’: Elizabeth I and dramatic self-representation / Carole Levin. ; Joanna Lumley (1537?-1576/77) / Elaine V. Beilin. ; Jane Lumley’s Iphigenia at Aulis: multum in parvo, or, less is more / Stephanie Hodgson-Wright. ; ‘Patronesse of the Muses’ / Margaret P. Hannay. ; Mary Herbert: Englishing a purified Cleopatra / Tina Krontiris. ; Elizabeth Cary (1585-1639) / Elaine V. Beilin. ; The spectre of resistance: The Tragedy of Mariam (1613) / Margaret W. Ferguson. ; Resisting tyrants: Elizabeth Cary’s tragedy / Barbara Kiefer Lewalski. ; An unknown continent: Lady Mary Wroth’s forgotten pastoral drama, ‘Loves Victorie’ / Margaret Anne McLaren. ; ‘Like one in a gay masque’: the Sidney cousins in the theaters of court and country / Gary Waller. ; ‘To be your daughter in your pen’: the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish / Margaret J. M. Ezell. ; ‘She gave you the civility of the house’: household performance in The Concealed Fancies / Alison Findlay. ; ‘My brain the stage’: Margaret Cavendish and the fantasy of female performance / Sophie Tomlinson. ; ‘A woman write a play!’: Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? / Julie Sanders
ISBN
- 0415164435
- 0415164427
LCCN
Open Library ID
-

- Search
- Search Library Catalog
- Search entire library,
including catalog:
- Search Library Catalog
- Find
- Get Help
- Services
- Information
- My Account
-
Meta











