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Lost Chords : White Musicians And Their Contribution To Jazz, 1915-1945

  • Lost Chords : White Musicians And Their Contribution To  Jazz, 1915-1945
  • Attribution

    Richard M. Sudhalter
  • Publication Details

    Book, Oxford University Press, 1999
  • Availability

    LOCATIONCALL #STATUS
     (UPPER LEVEL)  ML3508 .S85 1999  AVAILABLE

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  • Description

    Many jazz fans and critics–and even some jazz musicians–contend that white players have contributed little of substance to the music; Beginning in New Orleans, Sudhalter takes the reader on a fascinating multicultural odyssey through the hot jazz gestation centers of Chicago and New York, Indiana and Texas, examining such bands such as the New Orleans Rhythm Kings, the Original Memphis Five, and the Casa Loma Orchestra. (automatically summarized from Amazon.com)
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  • Places in this work

  • Notes

    • "Lost Chords is trumpeter-historian Richard M. Sudhalter’s definitive tribute to a pioneering generation of white jazz players, many of whom have been unjustly forgotten or neglected. While never scanting the role of the great black innovators and soloists, Sudhalter’s provocative account challenges the contention of numerous jazz critics that white players have contributed little of substance to the music." "This volume offers an exhaustively documented, vividly narrated history of white jazz contribution in the vital years 1915 to 1945. Beginning in New Orleans, Sudhalter takes the reader on a fascinating multicultural odyssey through the hot jazz gestation centers of Chicago, New York, Indiana, and Texas, examining bands such as the New Orleans Rhythm Kings, the Original Memphis Five, and the Casa Loma Orchestra. Readers will find luminous accounts of many key soloists, including Bix Beiderbecke, Benny Goodman, Jack Teagarden, Red Norvo, Bud Freeman, the Dorsey Brothers, Bunny Berigan, Pee Wee Russell, and Artie Shaw, among others. Along the way, he gives due credit to Louis Armstrong, Lester Young, Duke Ellington, Coleman Hawkins, and countless other major black figures."–BOOK JACKET
  • Contents

    • I. In the Beginning: New Orleans to Chicago. 1. Bands from Dixieland. 2. The New Orleans Rhythm Kings. 3. Emmett Hardy. 4. White New Orleans Jazz in the 1920s. 5. White Chicago Jazz, 1923-1926
    • II. The Sophisticates: New York and Its Hot Jazz Chamber Music. 6. Miff Mole and the Original Memphis Five. 7. Red Nichols and His Circle. 8. Adrian Rollini and the California Ramblers
    • III. The Hot Lineage: Chicago and Its Descendants. 9. Revolutionaries from the Suburbs. 10. Chicago Jazz in the 1930s. 11. Bud Freeman and the Tenor Saxophone. 12. Dixieland
    • IV. The Big Bands 1: Creating a Tradition. 13. The Jean Goldkette and Ben Pollack Orchestras. 14. Casa Loma Stomp. 15. Dorseys and Boswells. 16. The Bob Crosby Orchestra
    • V. Individual Voices. 17. Bix Beiderbecke and Some of His Friends. 18. Frank Trumbauer: The Divided Self. 19. Jack Purvis. 20. Bunny Berigan. 21. Guitars, Solo and in Combination
    • VI. The Big Bands 2: At the Summit. 22. Benny Goodman. 23. Artie Shaw (1): Matchless Music. 24. Artie Shaw (2): Time and Change
    • VII. The Fine Art of Sui Generis. 25. Bobby Hackett: Making It Sing. 26. Red Norvo and Mildred Bailey (1): Early Careers. 27. Red Norvo and Mildred Bailey (2): Mr. and Mrs. Swing. 28. Pee Wee Russell and Jack Teagarden
  • ISBN

    • 0195055853
  • LCCN

  • Open Library ID

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