Contents

• Four transcriptions from Emerson. No. 1 (beg.) (3:58) ; No. 1 (end) (1:28) ; No. 3 (2:33)
• Improvisation on a passage in Study no. 23, Four transcriptions from Emerson, no. 2, and Emerson overture’s cadenza no. 4 (:44)
• Four transcriptions from Emerson. No. 1 (beg.) (2:14) ; No. 1 (end) (2:24)
• Study no. 11 (abandoned) (:50)
• Study no. 11 (1:34 ; 1:33)
• Patch for Study no. 23 (:40)
• Four transcriptions from Emerson. No. 1 (beg.) (2:57) ; No. 1 (end) (2:53) ; No. 3 (3:33) ; No. 3 (3:40)
• Four transcriptions from Emerson. No. 3. (beg.) (1:53) ; (end) (:47)
• Study no. 11 (1:02)
• Study no. 9 : The anti- abolitionist riots (2:04)
• Study no. 2, with false start (1:31) ; (beg.) (:49) ; (end) (1:15)
• Study no. 23 (partial) (1:00)
• Four transcriptions from Emerson. No. 1 (abandoned) (:17) ; (middle) (1:04)
• Study no. 23 (partial) (1:10)
• Three improvisations. No. 1 (:50)
• Sonata no. 2 for piano : Concord, Mass. Hawthorne (excerpt) (:17)
• Symphony no. 1. Rejected mvt. 2 : Largo (1:58)
• Unidentified (improvisation on the Sunrise cadenza?) (:21)
• Study no. 20 (partial) (:32)
• Three improvisations. No. 3 (:42)
• Sonata no. 2 for piano. Emerson (partial) (2:05) ; (partial) (1:23) ; (partial) (4 :02)
• Study no. 2 + Study no. 23 (mixed) (2:24)
• Four transcriptions from Emerson. No. 3 (abandoned) (:57)
• Study no. 9 (2:15)
• They are there! First take (abandoned) (1:59) ; Second take (3:30) ; Third take (2: 44)
• March no. 6 for piano, with Here’s to Good old Yale (2:09)
• Sonata no. 2 for piano. The Alcotts (5:02)